This is overlooked in many chords, but can be essential for an artist`s income in the back-end of things. I always try to get the licensor to acknowledge that they are responsible for paying taxes to the relevant organizations for performance rights (ASCAP, BMI, SESAC) – or at least that they make sure that the party broadcasting the synchronized track does so. This should go without saying, but it`s always a good idea to get the licensor to recognize it, because the extra pro income, when a song is placed in a successful TV show, can mean a lifetime passive income for the artist/composer. I hope this has helped demystify some of the important points and conditions you`ll encounter in typical music licensing agreements. Your music has value, so make sure you receive the compensation you earn and get as much as possible! Once you have found the perfect song or musician for your production and have obtained the agreement of the artist or copyright holder, you need to create a music license agreement. If you are a musician who has the opportunity to sell the rights to your melody, whether you are being courted by a music company, a television producer or an advertiser, a well-written music license agreement ensures that you get your fair cut. This is a term often used by lawyers to ensure that their client gets the best possible terms. This actually means that if another party related to the license (e.g.B another songwriter who contributed to the song) is paid more or gets better terms (e.g.B. a larger credit) that their customer automatically gets the same benefit. This is important because it is a broad language that covers you, only if you do not have the same bargaining power as another third party whose agreement you cannot see. This is a fairly simple aspect of the license, but can have serious consequences if it is not verified or fully understood. In almost all license agreements, the use should not be exclusive so as not to prevent the artist from conceding the song for other purposes. Normally, this is a no-brainer, but sometimes licensors try to slip it in, especially if it has to be exclusive for a particular type of product or brand.
Maybe you`d like to ask a musician friend if you can use their music for your film or video project. Below is a standard music license agreement that you can use to protect yourself from future copyright infringement. If you don`t have a musician friend, there are a number of websites like Marmoset where you can find music that you can concede for your video. As synchronization becomes an increasingly important source of income for musicians, it`s important for artists to understand how these chords work – and most importantly how to maximize their benefits. I could write for hours about all the intricacies of these contracts, but I have divided it into only the seven most important aspects that musicians need to understand before signing a music license agreement. The following music license agreement was designed for a filmmaker who wanted to use his friend`s music in his video project. To avoid copyright issues, the filmmaker understood that he needed documents showing that he had the rights to use the music. A standard music licensing agreement is important if a filmmaker wants to publish the video on Youtube or Vimeo, capture the video at a film festival, or get a license on the finished video. . .